![]() ![]() Elements of the signature Silver sound remain how could they not? The tunes are all tight, beautifully arranged and expertly played, but they sound like pop records being made by a jazz band. Next is Silver using an electric piano, electric bass, and on the latter two records, an electric guitar. For starters, there are vocals on all three albums by Andy or Salome Bey and Gail Nelson, Jackie Verdell, and even Silver himself, either individually or collectively. There was nothing in his catalog that prepared listeners for this adventurous undertaking that linked spiritual concepts and social consciousness to modern jazz as it encountered soul, funk, and pop at the dawn of a new decade. Silver had been one of Blue Note's most reliable and steady hard- and post-bop artists since the late 1950s. To say that these albums were misunderstood is to understate the case. Released on CD as part of the limited-edition Blue Note Connoisseur series, United States of Mind represents pianist and composer Horace Silver's sprawling trilogy of thematically linked albums recorded between 1970 and '72: That Healin' Feelin', Total Response, and All. ![]()
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